Yeah, I'm wicked broke right now, but hopefully I'll get paid this week and buy a dumpload of records or something. Oh, and get to some shows as well. So check back this weekend and I should have more opinions. In the meantime I'm just gonna listen to lots of Screeching Weasel to keep my spirits up in this neverending floodstorm.
16 April 2007
03 April 2007
Stay away from the expletives
Great show last night at Lit Lounge featuring some friends' bands. I can't hear anything today 'cos I forgot my stupid earplugs, but I digress....The show featured the recently posted-upon Rising Up Rising Down and Brooklyn locals Stay Fucked.
Stay Fucked totally ripped shit up and it was the first time I've seen them live. Normally I just hear them across the hallway in our respective practice spaces. Their drummer, Hank, keeps two blogs going so I'm putting up links to both of those (one is for the band) so go see what they're all about if you've never heard of them. They like jazz, they like rock'n'roll and they like to make you boogie when you can follow the beat. It's great.
Stay Fucked's blog
Dark Forces Swing Blind Punches
The RURD boys informed me that their album will be officially coming out in late May and will be having a release party with fellow Hudson Valley-ites Dead Unicorn. The show will be May 24 at the Rosendale Cafe up in Rosendale, NY. I'm gonna try to get up there for that somehow because risinguprising-Dan Madsen told me that Dead Unicorn's new album is amazing. I find this all to be exciting. Now go do your (music) homework.
Stay Fucked totally ripped shit up and it was the first time I've seen them live. Normally I just hear them across the hallway in our respective practice spaces. Their drummer, Hank, keeps two blogs going so I'm putting up links to both of those (one is for the band) so go see what they're all about if you've never heard of them. They like jazz, they like rock'n'roll and they like to make you boogie when you can follow the beat. It's great.
Stay Fucked's blog
Dark Forces Swing Blind Punches
The RURD boys informed me that their album will be officially coming out in late May and will be having a release party with fellow Hudson Valley-ites Dead Unicorn. The show will be May 24 at the Rosendale Cafe up in Rosendale, NY. I'm gonna try to get up there for that somehow because risinguprising-Dan Madsen told me that Dead Unicorn's new album is amazing. I find this all to be exciting. Now go do your (music) homework.
01 April 2007
Radiation, meet brain

Two reviews in one day? I'm throwin' rocks tonight! As I continue through my box of CDs that I ignored for months, I've pulled out one that I've tried to listen to a few times already but had to put aside for reasons of retaining sanity. Pittsburgh's (((Microwaves))) have one of those great names that lends an idea of what greets your ears. In the case of Contagion Heuristic that means wiring your head to your household appliances while completely fucking stoned. Tonight was the first time I got through the whole thing, mostly because it's such a laborious listen. Now I'm not saying that this album is terrible or unlistenable, because it's not. More accurately I'd say that it's incredibly dense and well...
This album abounds with textures surprisingly uncommon in the digital era. There are cracks, pops, fizzles, weird synths and a friggen panoply of distortion tones layered throughout. I chaulk that up to a masterful production job and an extensive knowledge of effects pedals. Unfortunately, though I do find a lot of the sonics here to be impressive, too much of the songwriting leaves me wanting. Experimentally structured, Contagion Heuristic can come off as "jam" of sorts. The album was probably a hell of a good time to make, and involved some fun drugs (unless these guys are of the drugless-genius-of-Zappa-variety), but I ultimately had to force myself through it over several listens that were weeks and weeks apart. For the most part I would take a look at "(((Microwaves)))" and say to myself, "shit, I know I should listen to this, but I'm really just not in the mood to deal with it right now." So yeah, I guess that thought kinda sums up this record, a lot of really impressive ideas that don't really end up going anywhere, or at least places I would want to go on a regular basis. There's gotta be folks out there completely digging this, these are just one man's opinions.
You can find this over with the folks at Crucial Blast.
"All of these goats are retarded."

I'm not the slightest bit kvlt and I hate to admit that I do find "true" black metal culture more than a little bit campy. However, the idea of an ironic, neo-black metal band to me is simply abhorrent. A brutal, fast, grimy black metal record is, plain and simple, a true pleasure. So when I get "black metal" records like Striborg (see my recent review) it really, really pisses me off. Black metal is supposed to make me want to drink blood, sodomize creatures and smash brittle things. I don't want to hear some weak, experimental garbage from some talentless misanthrope in a basement somewhere. Now I'm all for keeping alive the DIY spirit, but just because a record is poorly recorded and hateful doesn't make it "black metal," it just makes it a bunch of unlistenable crap.
If you want a unhealthy dose of negativity and bloody satan worship then I seriously suggest Urgehal's Goatcraft Torment. This is the first I've heard of these guys, though they've been around since the early '90s (I told you I wasn't kvlt), so I have 4 other albums and other demo stuff to track down now. Carpal-tunnel guitars and battering-ram drums; lyrics in English and Norwegian; sentiments of death and ritual sacrifice. Hell, they start the album by proclaiming, "This is satanic black metal!" Urgehal understands the the basic elements of a great black metal record, only with the added bonus of listenable production. Gee, what a concept! I absolutely hate overproduced albums (particularly metal albums) that strip the songs of their raw energy and emotion. But I also hate poorly produced works that fail to demonstrate the full potential of a band. Goatcraft Torment is a great example of an face-knifing black metal record that actually sounds amazing. It's another one from Southern Lord, so go find it. I might have to do that because my promo copy is fucked up, though the headache stutter would probably be appreciated by the artists.
30 March 2007
Trapped in an alley, scared of clowns
Clown Alley's Circus of Chaos is a really fantastic re-release from Southern Lord that I really should have taken the time to post on during my hiatus from posting. This puppy was originally released in '86 on guitarist/producer Mark Deutrom's Alchemy Records. Mark and bassist Lorax (Lori Black) both played bass for The Melvins, something I'm assuming garnered them more notoriety than Clown Alley. Before this package got to me, I knew nothing about the band, though apparently they were a major act in San Francisco during the heady days of mid-80s crossover thrash metal. (Hey, I was 5 when this was first put out, so excuse my ignorance.) Thank Southern Lord for putting this out on CD for the first time, and just putting it back out there in general, because it's an awesome piece of musical history that includes rare bonus live material.As for the album itself, Circus of Chaos combines the energy and attitude of early-80s hardcore with metal musicianship and songwriting. The guitar riffage is fast and precise while the rhythm section foreshadows early death metal. It's not overly complex, but it's also not as straightforward as most hardcore of that era. Fuck it, man, it's crossover! Basically the album rips and you should go get it. Also, make sure that beer and skateboards are at the ready; you'll understand why once you listen.
26 March 2007
8 year olds, dude
I'm currently listening to one of the worst "albums" I've ever heard: Nefaria/A Tragic Journey Towards the Light by Australia's Striborg--a one-man black-metal ambient project. The temptation to turn it off is haranguing me, yet I'm oddly enthralled by sheer terribleness. I got this in the mail during my "I don't feel like posting" phase and it's really the epitome of why I chose not to post for a while. Most of what I was receiving to review was sub-par at best and dangerously unlistenable at worst. Striborg falls completely within the latter camp. And "camp" is a good word for what this sort of black-metal is these days. Forget "kvlt". This shit sounds like a petulant pre-teen was learning how to use a 4-track and let his younger brother fuck around with some of the instruments. I'm baffled by how somebody okay-ed this and let it go to press with international distribution. My crappy high school hardcore band was 1000 times better than this.
Shame on everyone involved with making this album a reality.
Shame on everyone involved with making this album a reality.
23 March 2007
Slaving the Parochial Nimrod
In yesterday's post I completely neglected to mention that Asshole Parade and The Holy Mountain were going to be playing at 538 Johnson in Brooklyn. Well anyone who was around and didn't go totally lost out because it was one of the raddest shows I've been to in a while. Last night was my first visit to 538 and at least as far as I've seen, the place doesn't disappoint. It's the perfect loft for punk rock shows and the kids (i.e.; folks younger than my aging 26) were tearing it up (the place was packed, btw.).
There's a whole gymbag of shows scheduled there in the upcoming months. I'm particularly excited about Coliseum and The Young Widows. It will be my turn to make up for getting kicked out of Northsix during Coliseum's set last fall. Can't wait...
538 Johnson schedule
There's a whole gymbag of shows scheduled there in the upcoming months. I'm particularly excited about Coliseum and The Young Widows. It will be my turn to make up for getting kicked out of Northsix during Coliseum's set last fall. Can't wait...
538 Johnson schedule
22 March 2007
Longmont Potion Castle
I just recently got turned on to something I wish I had heard long, long ago. No, it's not "music" per se, but it is so wonderful on the ears. Longmont Potion Castle is one man, a telephone and a cheapo recording device. These aren't just simple stupid prank calls a la Jerky Boys, this is total surrealist telephonic rediculism. I can't possibly explain this other than say it's fucking hilarious and there are 5 volumes of this or something. Go to the website, then send me a thank-you rod.
A lot of this stuff is out of print I think, but you can probably search it on soulseek or oink or other findy-type places on the internet.
Longmont Postion Castle
A lot of this stuff is out of print I think, but you can probably search it on soulseek or oink or other findy-type places on the internet.
Longmont Postion Castle
16 March 2007
Out of hibernation?
It appears that I haven't posted anything here since early January. My own fault as I got bored with writing about music and have been heavily concentrating on playing it. I'm also employed again--not that it means I have any money to speak of, but that my time is much more precious than it had been for months.
So I have a few things to get to and I'm gonna change up how I've been doing this (that is, if anybody is still paying attention). Whereas previously I was only posting about new albums being birthed, I'm now going to broaden this to include old stuff that I stumble upon in my search through musical family trees and through suggestions of friends.
I figure the best place to restart this whole deal is with a bunch of friends from the beautiful Mid-Hudson Valley (there's my full disclosure) who've just recorded a completely sick debut full length:
Rising Up Rising Down
Monster Crusher
Maple Leaf Underground Records
Poughkeepsie, NY-based RISING UP RISING DOWN lead off their debut with an "Anthem" for a sludgy new tomorrow. Impressive as this winding instrumental piece may be, it only signals half of what this band is capable of, because everything quickly turns to full-speed mathemadness! This is grind like all the others don't grind: incredibly low-end heavy, these three gentlemen don't like their mud to flow so slowly. They also write riffs to amuse and confuse whilst retaining memorability. You can (and you will) move to this, but only in short bursts because they've already moved on and you've gotta catch up. It takes fucking talent to write songs that turn from punishing to playful and back without losing bite. So no standing there and just bobbing yr skull, I don't care how high you are, you still gotta pay attention.
Monster Crusher was recorded a couple months back with Will Dandy at Dead Air Studios. He did a hell of a job, 'cos when these guys play live it's fucking loud and destructive (I think the album title is representative of the work as a whole), so to be able to capture it for the record is impressive. The album is short because the songs are short, but they've made every second of it count. Anyone who is bummed that Nasum is no more (and really, who isn't?), should get a hold of this, as RURD is legitimately a younger American cousin. I can't comment on their artwork or lyrics really (although I know there's a lot of relevant social commentary in there), because I got a special advance copy from them because we love each other, but if it's half as awesome as the music, then it will still be rad. Whatever, go check out their myspace page and see what the fuck I'm talking about.
So I have a few things to get to and I'm gonna change up how I've been doing this (that is, if anybody is still paying attention). Whereas previously I was only posting about new albums being birthed, I'm now going to broaden this to include old stuff that I stumble upon in my search through musical family trees and through suggestions of friends.
I figure the best place to restart this whole deal is with a bunch of friends from the beautiful Mid-Hudson Valley (there's my full disclosure) who've just recorded a completely sick debut full length:
Rising Up Rising Down
Monster Crusher
Maple Leaf Underground Records
Poughkeepsie, NY-based RISING UP RISING DOWN lead off their debut with an "Anthem" for a sludgy new tomorrow. Impressive as this winding instrumental piece may be, it only signals half of what this band is capable of, because everything quickly turns to full-speed mathemadness! This is grind like all the others don't grind: incredibly low-end heavy, these three gentlemen don't like their mud to flow so slowly. They also write riffs to amuse and confuse whilst retaining memorability. You can (and you will) move to this, but only in short bursts because they've already moved on and you've gotta catch up. It takes fucking talent to write songs that turn from punishing to playful and back without losing bite. So no standing there and just bobbing yr skull, I don't care how high you are, you still gotta pay attention.
Monster Crusher was recorded a couple months back with Will Dandy at Dead Air Studios. He did a hell of a job, 'cos when these guys play live it's fucking loud and destructive (I think the album title is representative of the work as a whole), so to be able to capture it for the record is impressive. The album is short because the songs are short, but they've made every second of it count. Anyone who is bummed that Nasum is no more (and really, who isn't?), should get a hold of this, as RURD is legitimately a younger American cousin. I can't comment on their artwork or lyrics really (although I know there's a lot of relevant social commentary in there), because I got a special advance copy from them because we love each other, but if it's half as awesome as the music, then it will still be rad. Whatever, go check out their myspace page and see what the fuck I'm talking about.
04 January 2007
I'm not back I just pretend
I won't lie, I just get bored of doing this and listening to new albums and then writing about them. So I've only been listening to old albums (mostly Unwound and pg.99) and enjoying the shit out of them. I'm sure the 4 people who read this and try to post spam comments will be bummed out.
Also, sometimes it's nice to read a book, ride a bike or just sit and watch Law & Order instead of drugging yourself (myself) with computer all day. Just a thought...
Also, sometimes it's nice to read a book, ride a bike or just sit and watch Law & Order instead of drugging yourself (myself) with computer all day. Just a thought...
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